Friday, 19 May 2017

Cover 2 Cover 2017 - sketchbook six - In the forest

Imaginary treescape, acrylic (knife painting)

Lone Hudson's In the forest theme was the last book I worked in. I do like trees, and I had been looking forward to this theme. The book was a smallish hardback guide to trees, with plentiful pages of nice quality paper. The text and line drawings made an interesting counterpoint to work placed directly on the page, and others in the group had made inventive use of the colour illustrations as well as doing some marvellous cut-work and additions, including manipulated leaves from trees.

Thursday, 18 May 2017

Cover 2 Cover 2017 - sketchbook five - Shadows

This, selected for Charles Burns' Shadows theme, was a different class of book. It was a beautiful period hardback about photography, with elegant typography and full page monochrome photographs. It was also printed on nice paper - thick, matt and creamy in colour, it took every media we collectively threw at it - it had enough "tooth" for pencils and enough integrity for watercolour.

It was a book that demanded to be worked with rather than to be worked on, or against.

Shadows and reflections. Cello: woodblock, printed in the Japanese style, with fountainpen inks. Wineglass: Molotow One4All markers.

Cover 2 Cover 2017 - sketchbook four - Experimental paint and weathered effects

I found this book, initiated by Jane Skingley, rather daunting, and not just because of its size. I suppose I'm not really much of a mixed-media experimenter. My rather bland contributions were all added directly to the glossy pages and I didn't photograph them. I rather think that the array of textures in this book needs to be leafed through for maximun effect.

Wednesday, 17 May 2017

Cover 2 Cover 2017 - sketchbook three - The Unexpected

The next book was unexpected. No, it really was The Unexpected: Sue Crook's theme, for which she had been given, uexpectedly, an old Private Eye annual.

I went straight to the popular culture for my inspiration, starting with Roald Dahl's Tales of The Unexpected (a 1970s TV programme that was surely far too scary for me to have watched as a child, yet nonetheless, watch it I did, with my parents).

I discovered that Indian Ink sticks to glossy pages. Mysterious splodges of vaguely flame-like acrylic ink on top of it to indicate the flickering titles of the TV show...

Cover 2 Cover 2017 - sketchbook two - Love

Molotow One4All marker and fountain pen (yes, that fountain pen).

Love is Gail Davis' book. It was once a mass market paperback edition of "Out of Africa". I found myself reading bits of it; I must get a pristine copy sometime.

These photographs show only some of the changes that I made to the volume. After the constraints of Classical Mechanics, Love, with its hundreds of pages that accepted most media (sometimes very enthusiastically - some inks soaked through multiple pages, but that was done on purpose) was wonderfully freeing. As, indeed, it should be, given the subject.